Caravaggio, Vermeer & the Power of Museums – Dr Caroline Campbell - 254 - Alain Elkann Interviews

ART FOR PUBLIC PURPOSE. Dr Caroline Campbell was born and educated in Belfast, and became Director of the National Gallery of Ireland in 2022. She studied Modern History at University College Oxford, and has an MA and PhD from the Courtauld Institute of Art, University of London. A former Fellow of the Center for Curatorial Leadership, New York, before joining the National Gallery of Ireland, Caroline was Director of Collections and Research at the National Gallery, London. Earlier in her career she held curatorial positions at the Ashmolean Museum, Oxford, the Courtauld Gallery, London, and the National Gallery. Caroline has published widely on European art from the Middle Ages to the twentieth century, particularly on the Italian Renaissance, most recently Mantegna & Bellini and 14th Century Siena. “The Taking of Christ is an absolutely astonishing painting because of the moment of drama in it, and that, as much as the name Caravaggio, is what really excites our visitors.” “Irish art is really strong, but it is much less known outside of Ireland. I would love people to be able to appreciate it more, as part of the more widespread European and Western tradition.” “I love the connection that people have with the gallery.”