How Spotify Dulls the Musical Mind (Liz Pelly)

Liz Pelly is our foremost journalist/critic on the Spotify beat. Her byline has appeared at the Baffler, Guardian, NPR, and many other outlets. She is also an adjunct instructor at NYU Tisch School of the Arts. Liz is also been making the media rounds lately, talking about her new book Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist (One Signal Publishers).The book is both a history of Spotify and an argument that Spotify is not, in fact, a music company, but rather an advertising company focused on manipulating user behavior to maximize time on platform. As a consequence, Spotify not only pushes musical aesthetics towards banal, “lean-back listening,” it also makes musicians themselves expendable: replaceable by ghost musicians, AI slop, and behavioral algorithms that keep people just barely engaged at the lowest cost. In this show, Liz details how platforms shape listening and music making alike. We also discuss the tension between frictionless music consumption and meaningful cultural engagement.And remember, there’s an extended version of this interview which features a bunch of bonus material including a listener question, a deep dive into Liz’s reporting methods, and the backstory of how she got into journalism and got a major book deal, plus her book and music recommendations. It’s available to our Patrons for a mere $3 a month. Sign up at Patreon.com/phantompower.Transcript Liz Pelly: [00:00:00] When I hear something like the founder of an AI company saying “Making music is too hard. People don’t want to learn how to play instruments,” or even this idea that a streaming platform should help people reduce cognitive work. It’s like, that essentially means we should help people not have to think. And I think that, you know,  Mack Hagood: Yeah.  Liz Pelly: As critics, what we do is encourage people to think, you know, thinking and making decisions is an important part of processing life in the world and information and culture and figuring out how you actually feel about someone’s art. Introduction: This is Phantom Power. Mack Hagood: Welcome to another episode of Phantom [00:01:00] Power, a podcast about sound. I’m Mack Hagood. My guest today is journalist Liz Pelly, someone I’ve been reading avidly and having my students read for almost a decade now. Pelly is our foremost journalist and critic on the Spotify beat. Her byline has appeared in the Baffler, the Guardian, NPR, and many other outlets. She’s also an adjunct instructor at NYU’s Tisch School for the Arts. Liz has been making the media rounds lately, talking about her new book Mood Machine, the Rise of Spotify and the Cost of the Perfect Playlist, out on One Signal Publishers, an imprint of Simon & Schuster. The book is both a history of Spotify and an argument that Spotify is not in fact a music company, but rather an advertising company focused on manipulating user behavior to maximize time on platform. As a consequence, Spotify not only pushes musical aesthetics towards banal, lean back [00:02:00] listening, it also makes musicians themselves expendable, replaceable by ghost musicians, AI slop, and behavioral algorithms that keep people just barely engaged at the lowest cost. I am super excited to have Liz on the show and get into the weeds of how platforms shape listening and music making alike. And remember, there’s an extended version of this interview that features a bunch of bonus material, including a listener question,