Radiophilia (Carolyn Birdsall)

Today’s guest is Carolyn Birdsall, Associate Professor of Media Studies, University of Amsterdam. If you’re a scholar of sound or radio, you likely know her work, particularly her monograph Nazi Soundscapes (AUP, 2012) which was the recipient of the ASCA Book Award in 2013.  Her new book, Radiophilia (Bloomsbury, 2023), examines the love of radio through history. It will be a great value to anyone–from novice to expert–who wants to understand radio studies and think about where it should go in the future. In this wide-ranging interview, we discuss Carolyn’s career and both of her books. We also get into the present state of radio and media studies, as well as the kind of skeptical orientation to media that tends to set sound studies scholars apart from many of their peers.And for our Patrons we’ll have Carolyn’s What’s Good segment, with something good to read, listen to, and do. You can join us at patreon.com/phantompower. Today’s show was edited by Matt Parker. Transcript and web content by Katelyn Phan.Transcript [Robotic voice] This is Phantom Power Mack Hagood: Welcome to another episode of Phantom Power, where we talk to incredibly smart and creative, talented people about sound.  I’m Mack Haggood. And if I sound a little Barry White-ish, it’s because I have COVID and I’m not feeling great. But I already had an interview in the can, and I just wanted to get this out to you on schedule if possible, I think that’s going to happen.  And today’s guest is Carolyn Birdsall. If you’re a scholar of sound or radio, I imagine you already know her work. She’s one of those people who represent the benefit that I get personally out of doing this show, which is I get to finally meet people whose work I’ve been engaging with for a long time. Carolyn’s definitely one of those people. There’s so much I could have talked to her about including her research on television sound or her methodological work on sensory history or doing oral history. Some of her theoretical work on epistemology and the humanities. But in this interview, I chose to focus on her two books first. Her award winning 2012 book, Nazi Soundscapes. If there’s any canon at all in historical sound studies, Nazi Soundscapes certainly is in that canon. So we talked about that book for a while. And then we also talk about her new book, which is radiophilia. Radiophilia is a term that she coined as she examines the love of radio. And I think of Radiophilia as an established scholar book. Quite often a scholar will make their name researching something very specific, say soundscapes in the Nazi era, for example. And they make their contributions there and then they build out a career and then later in their career after teaching for a decade or more and reading tons of other people’s work and really getting a strong sense of the lay of the land in their field of expertise.  They put out something more general, something that’s a little more reflexive in terms of thinking about the field as a whole. Where the field has been, where it should go. And that’s the kind of book that a senior scholar tends to write in part because only a senior scholar could write that kind of book. And I think Radiophilia is that type of book. I think it’s going to be of great value to anyone from a novice to an expert who wants to understand radio studies and to think about where it should go in the future.