Spacing Out with Dallas Taylor of 20,000 Hz

Subscribe to Phantom PowerJoin our Patreon and get perks + merchRate us easily on your platform of choiceToday we talk to Dallas Taylor, host of the most popular sound podcast on the planet, Twenty Thousand Hertz. I like to think our show sounds pretty good, but Twenty Thousand Hertz is next-level audio production, some of the very best in the podcasting business. And Dallas prides himself on making a podcast for absolutely everyone. As he told me, he tries to make a show that’s just as mainstream and approachable as a true crime show. We start off with a chat about Dallas’s background in music, how he entered the world of sound design, what inspired him to start the podcast, and how he was discovered by Roman Mars of the legendary design podcast 99% Invisible. Then we jump into the nuts and bolts of how he and his team make Twenty Thousand Hertz. Dallas was kind enough to share the stems for my favorite episode, titled “Space,” so we will do a Song Exploder-like anatomy of that episode before listening to the full episode in the second half of the show.Today’s show was edited by Craig Eley with additional help from Ravi Krishnaswami. Our Production Coordinator and transcriber is Jason Meggyesy.Transcript[4:45 Start of Dallas Taylor Interview] [28:10 Start of Space by Twenty Thousand Hertz] Ethereal Voice: This is Phantom Power. [Birds Chirping] Dallas Taylor: Now we’re at home here on Earth. We’re not gonna stay here for long, but it’s worth mentioning the amazing diversity of sound on our planet.  The Sandy deserts. Lush forests.  [Birds Chirping] The sound of the ocean. [Waves Crashing] both on the surface  and below. [Waves Crashing] Mack Hagood: Hey, and welcome to another episode of Phantom Power, where scholars and creators talk about sound. I’m Mack Hagood, and I think a lot of you recognize the voice that I just played. That’s Dallas Taylor, host of the most popular sound podcast on the planet Twenty Thousand Hertz. You know, I’ve had the good fortune to not only host this podcast for five years, but to make appearances on a number of other people’s podcasts.  Some very niche. Some with huge audiences, but I think the biggest thrill that I’ve gotten as a podcast guest is when I heard my own voice bathed in the gorgeous production values of Dallas’s show.  Dallas: In the story, Jason and the Argonauts are sailing to the edge of the world.  Mack: Jason and the Argonauts encountered the sirens who were these bird-like women with these amazing voices, hypnotizing voices that would lure people into danger and death.  [Sirens Singing] And so when they encountered the sirens, Orpheus protected himself and his fellow Argonauts by singing his own counter song. [Orpheus Singing] Dallas: Orpheus created a kind of sonic shield. He drowned out the song of the Sirens, which allowed his fellow Argonauts to safely pass by Mack: I mean, damn. I think our show sounds pretty good and we get compliments on our own production values all the time, but Twenty Thousand Hetz is next-level sound, some of the very best in the podcasting business. And while our show tends to attract students and artists and scholars obsessed with sound and music, Dallas prides himself on making a podcast for absolutely everyone. He told me that he tries to make a show that’s just as mainstream and approachabl...