The Audiobook’s Century-Long Overnight Success (Matthew Rubery)

Help grow the show:Subscribe to Phantom PowerSupport the podcast on PatreonRate and review on Apple or SpotifyToday we present the first episode of a miniseries on audiobooks by getting into the history and theory of the medium. Audiobooks are having a moment—and it only took them over a century to get here. Dr. Matthew Rubery, a Harvard PhD and Professor of Modern Literature at Queen Mary University of London, pioneered the study of the audiobook, its history, and its affordances. Among his other works, Dr. Rubery is the author of The Untold Story of the Talking Book (2016, Harvard University Press). He’s also the editor of Audiobooks, Literature, and Sound Studies (2011, Routledge). Matt’s latest book is titled Reader’s Block: A History of Reading Differences (2022, Stanford University Press). In this fascinating conversation, we discuss the long history of recorded literature; the weird shame around audiobook reading and its cultural roots; the interplay between disability, neurodivergence, and alternate forms of reading; and what an audiobook criticism might look like. And for our patrons, we’ll have our What’s Good segment at the end of the show, where Matt will tell us something good to read, something good to listen to. Something good to do. You can become a patron of the show at patreon.com/phantompower.Today’s show was edited by Mack Hagood. Transcription by Katelyn Phan. Music by Graeme Gibson.Transcript[Robotic music]  This is Phantom Power. Mack Hagood: Welcome to another episode of Phantom Power. I’m Mack Hagood. Today we do the first in what will be a short series on the audiobook. I’m a huge audiobook listener. I really got into audiobooks maybe 10 years ago. When I started working at Miami University, I had done that rough slog through my master’s and my PhD, and I realized that it had been maybe six or seven years since I’d had any time to do any real fiction reading, and I felt that this aspect of myself was just kind of starting to atrophy, starting to feel sort of two dimensional, and yet I sort of had to still keep the pedal to the metal. Publishing things to get tenure, had to write that first book. And so, this wasn’t really the time to sort of sit back and start reading novels again, especially when my wife and I had two young kids.  So, audiobooks to the rescue. My wife Bridget and I share an Audible account and we each also have a Libby account that allows us to download books through our public library. And we just listen to a ton of stuff, mostly fiction. Once I got tenure and I was able to resume something resembling a normal life, I even started reading more books on paper again. And we have a fantastic bookstore in my neighborhood. I’m a huge fan of, shout out to Greg at Downbound Books. Just one of the best curated small bookstores I’ve ever seen. But still, I listen to audiobooks. As much, if not more, than I ever have.  So, I wanted to do some Phantom Power episodes on the audiobook. What’s its history? What are its affordances? What are its implications? How do you go about making an audiobook? So, in future episodes, I’m going to talk to the amazing music writer and public educator, Warren Zanes, about his books on Bruce Springsteen and Tom Petty, and the process of narrating his own audiobooks.  One of which, the Springsteen book,