101 Episodo

  1. The Modern-Day Fight for Ancient Rome

    Publicado: 5/12/2024
  2. Will Kids Online, In Fact, Be All Right?

    Publicado: 21/11/2024
  3. The Value—and Limits—of Seeking Comfort in Art

    Publicado: 14/11/2024
  4. Critics at Large Live: Julio Torres’s Dreamy Surrealism

    Publicado: 31/10/2024
  5. Help, I Need a Critic!

    Publicado: 24/10/2024
  6. A Controversial Trump Bio-pic and the Villains We Make

    Publicado: 10/10/2024
  7. “The Substance” and the New Horror of the Modified Body

    Publicado: 3/10/2024
  8. The Fate of the Finance Bro

    Publicado: 26/9/2024
  9. Sally Rooney’s Beautiful Deceptions

    Publicado: 19/9/2024
  10. Was Abraham Lincoln Gay . . . And Should We Care?

    Publicado: 12/9/2024
  11. The Trap of the Trad Wife

    Publicado: 5/9/2024
  12. Tarot, Tech, and Our Age of Magical Thinking

    Publicado: 29/8/2024
  13. The Irresistible Myth of Las Vegas

    Publicado: 22/8/2024
  14. Charli XCX, Chappell Roan, and the Unstable Hierarchy of Pop

    Publicado: 15/8/2024
  15. Why We Want What Tom Ripley Has

    Publicado: 8/8/2024
  16. The Kamala Harris Vibe Shift

    Publicado: 1/8/2024
  17. From Vanity Fair’s “Dynasty”: Can Harry and Meghan’s Hollywood Dream Last?

    Publicado: 25/7/2024
  18. Alice Munro’s Fall from Grace

    Publicado: 18/7/2024
  19. The Changing World of Nature Documentaries

    Publicado: 11/7/2024
  20. From The New Yorker Radio Hour: Emily Nussbaum on the Beginnings of Reality TV

    Publicado: 4/7/2024

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Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

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