58 Episodo

  1. “Perception is a Form of Sampling": Christoph Cox on Materialities of Sound

    Publicado: 23/3/2021

  2. “The Sound Can Touch You Directly”: Christina Kubisch on Electronic Sound Art

    Publicado: 16/3/2021

  3. “When is This?”: Brian Michael Murphy on Media Archaeology and Preservation

    Publicado: 9/3/2021

  4. “A Database is an Argument”: Anne Helmreich on Digital Humanities and Art History

    Publicado: 2/3/2021

  5. “A Gesture of Reciprocity”: Souleymane Bachir Diagne on Translation and Restitution

    Publicado: 23/2/2021

  6. “Unpacking My Identity”: Genevieve Gaignard on Race in America and the Impossibility of Home

    Publicado: 16/2/2021

  7. “How to Look with Soft Eyes”: Darby English on Description as Method

    Publicado: 9/2/2021

  8. “Philosophical Grounding”: Michael Ann Holly on Creating Visual Studies 

    Publicado: 17/11/2020

  9. "Can You Show Thinking?”: Mieke Bal on Film & Writing

    Publicado: 10/11/2020

  10. "Refusal of Personality": Brigid Doherty on Rosemarie Trockel and Rorschach

    Publicado: 27/10/2020

  11. “Looking as Knowing”: Svetlana Alpers on Critical Thinking and Photography

    Publicado: 20/10/2020

  12. “An Art History Yet to Come”: Kirsten Scheid on Palestinian Art 

    Publicado: 13/10/2020

  13. “A Set of Ways of Engaging”: Lisa Lee on Thomas Hirschhorn & Materiality

    Publicado: 6/10/2020

  14. “An Embodiment of Experience”: Steven Nelson on African Art and Writing History

    Publicado: 29/9/2020

  15. “To Speak Across Time”: Gabriele Finaldi on Museums

    Publicado: 15/9/2020

  16. “An Archive of Exchange”: C. Ondine Chavoya on Chicanx and Latinx Art History

    Publicado: 8/9/2020

  17. “Surfaces of Projection”: Dell M. Hamilton on Performance Art and Black Embodiment

    Publicado: 1/9/2020

  18. “The Nature of All Our Forms”: María Magdalena Campos-Pons on Performance Art

    Publicado: 18/8/2020

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What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today.

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