Oxford Comparative Criticism and Translation (OCCT)
Un pódcast de Oxford University
39 Episodo
-
Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am”
Publicado: 20/9/2014 -
OCCT event - The Point of Comparison
Publicado: 20/9/2014 -
Languages of Criticism - Translation and Comparison part one
Publicado: 20/9/2014 -
Languages of Criticism - The Practice of Commentary
Publicado: 20/9/2014 -
Languages of Criticism - Creatively Critical
Publicado: 20/9/2014 -
OCCT event - The Creativity of Criticism part one
Publicado: 20/9/2014 -
Philosophy of Criticism - Creativity as a Virtue of Character
Publicado: 20/9/2014 -
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”
Publicado: 20/9/2014 -
Philosophy of Criticism - Justifying Canonic Value
Publicado: 20/9/2014 -
Philosophy of Criticism - Creativity, Culture and Tradition
Publicado: 20/9/2014 -
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics
Publicado: 20/9/2014 -
Intercultural Literary Practices - Theorising Interculturality
Publicado: 20/9/2014 -
Translators and Writers - Translation and Fictionality
Publicado: 20/9/2014 -
Translators and Writers - Poetry and the Act of Translation
Publicado: 20/9/2014 -
Round Table: The Future of Comparative Criticism
Publicado: 22/10/2013 -
Tropes of Comparison
Publicado: 22/10/2013 -
Comparative Literature, Britain and Empire
Publicado: 22/10/2013 -
Shaped by the Classics?
Publicado: 22/10/2013 -
Literature in the World
Publicado: 22/10/2013
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
