Read Between the Wines Podcast
Un pódcast de Pierre Ferland
68 Episodo
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E29 - Cloudsley Cellars, Canada
Publicado: 22/1/2020 -
E28 - FR - Les Notes sur les vins - (French)
Publicado: 9/12/2019 -
E27 - Amber Revolution (Orange Wines) · Simon Woolf
Publicado: 3/12/2019 -
E26 - Malivoire Wine, Canada
Publicado: 27/11/2019 -
E25 - Southbrook Vineyards, Canada
Publicado: 12/11/2019 -
E24 - Stratus Wines, Canada
Publicado: 23/10/2019 -
E23 - FR - Episode intro Francais - (French)
Publicado: 20/10/2019 -
E22 - Natalie MacLean · Wine critic, Canada
Publicado: 11/10/2019 -
E21 - Château des Charmes, Canada
Publicado: 27/9/2019 -
E20 - Familia Torres Wine · Caroline Leblanc, Canada
Publicado: 24/9/2019 -
E19 - Henry of Pelham Family Estate, Canada
Publicado: 13/9/2019 -
E18 - Sue-Ann Staff Estate Winery, Canada
Publicado: 6/9/2019 -
E17 - Pier-Alexis Soulière, Master Sommelier · Canada
Publicado: 29/8/2019 -
E16 - Lundy Manor Wine Cellars, Canada
Publicado: 23/8/2019 -
E15 - Foreign Affair Winery · Barclay Robinson, Canada
Publicado: 15/7/2019 -
E14 - Featherstone Estate Winery, Canada
Publicado: 30/6/2019 -
E13 - Rockway Vineyards, Canada
Publicado: 28/6/2019 -
E12 – Adamo Estate Winery, Canada
Publicado: 17/5/2019 -
E11 – Creekside Estate Winery, Canada
Publicado: 15/5/2019 -
E10 – Trail Estate Winery, Canada
Publicado: 3/5/2019
Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.
