Oxford Comparative Criticism and Translation (OCCT)
Un pódcast de Oxford University
39 Episodo
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Translation as Afterlife
Publicado: 24/2/2017 -
“Forgotten Europe”: Translating Marginalised Languages
Publicado: 10/2/2017 -
Between Languages: Working in and out on Translation
Publicado: 30/11/2016 -
Literature Beyond Literary Studies: Intermediality and Interdisciplinarity
Publicado: 1/11/2016 -
Comparative Criticism: What Is It and Why Do We Do It?
Publicado: 19/10/2016 -
Intercultural Literary Practices
Publicado: 9/11/2015 -
Fiction and Other Minds
Publicado: 9/11/2015 -
Extremist Translation and the Deformation Zone
Publicado: 24/7/2015 -
Lunchtime talk with Italian journalist Antonio Armano
Publicado: 23/6/2015 -
Translation and Ekphrasis: Dante and the visual arts
Publicado: 24/2/2015 -
Intercultural Tales
Publicado: 17/2/2015 -
To the Lighthouse
Publicado: 9/2/2015 -
OCCT event - The Creativity of Criticism part four
Publicado: 19/12/2014 -
OCCT event - The Creativity of Criticism part three
Publicado: 19/12/2014 -
OCCT event - The Creativity of Criticism part two
Publicado: 19/12/2014 -
Languages of Criticism - Translation and Comparison part two
Publicado: 17/12/2014 -
Unbuttoning Catullus
Publicado: 1/12/2014 -
Other Worlding
Publicado: 14/11/2014 -
Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros
Publicado: 14/11/2014 -
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’
Publicado: 20/9/2014
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
