The Bulletproof Musician
Un pódcast de Noa Kageyama - Domingos
356 Episodo
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Laurie Scott & Cornelia Watkins: On Going From the Stage to the Studio
Publicado: 8/12/2024 -
Does How We Look On Stage Matter More Than How We Sound...?
Publicado: 1/12/2024 -
Does Counting Our Blessings Really Change Anything?
Publicado: 24/11/2024 -
An Easier Way to Get Better at Mental Imagery?
Publicado: 17/11/2024 -
A Better Way to Do Mental Practice?
Publicado: 10/11/2024 -
Not an Optimist? How to Make Pessimism Work for You.
Publicado: 3/11/2024 -
Can Breathing Really Help Reduce Anxiety? Or Is It Just a Cliché?
Publicado: 27/10/2024 -
Go From Procrastination to Productivity With “Temptation Bundling”
Publicado: 20/10/2024 -
A Better Way to Bounce Back From Disappointing Setbacks
Publicado: 13/10/2024 -
Why Giving Students Choices Could Dramatically Enhance Learning
Publicado: 6/10/2024 -
What Are Audition Committees Really Listening For?
Publicado: 29/9/2024 -
The Best Time to Exercise for Maximizing Practice Gains
Publicado: 22/9/2024 -
How Important Is It Really to Practice Every Day?
Publicado: 15/9/2024 -
Improve Coordination With Opposite-Side Practice
Publicado: 8/9/2024 -
Nathan Cole: Lessons From 20 Years of Concertmaster Auditions
Publicado: 1/9/2024 -
An Ironic Strategy to Stay Calmer and Avoid Rushing on Performance Days
Publicado: 25/8/2024 -
How Teachers' Expectations Can Shape Students' Learning & Performance
Publicado: 18/8/2024 -
How Much Do Positive or Negative Expectations Affect Performance?
Publicado: 11/8/2024 -
How to Keep Music Feeling Fresh Through Repeated Performances
Publicado: 4/8/2024 -
Is It Really so Bad to Frown After Making a Mistake?
Publicado: 28/7/2024
Ever wonder why you can practice for hours, sound great in the practice room, and still be frustratingly hit or miss on stage? Join performance psychologist and Juilliard alumnus/faculty Noa Kageyama, and explore research-based “practice hacks” for beating anxiety, practicing more effectively, and playing up to your full abilities when it matters most.