The Bulletproof Musician
Un pódcast de Noa Kageyama - Domingos
356 Episodo
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What’s the Optimal Practice-To-Rest Ratio?
Publicado: 21/7/2024 -
Is There a Way to Make Self-Imposed Deadlines Work?
Publicado: 14/7/2024 -
Does Listening to Music Benefit the Music Learning Process?
Publicado: 7/7/2024 -
A Better Way to Learn, Teach, and Perform New Skills?
Publicado: 30/6/2024 -
Is It Better to Perform With Eyes Open or Closed?
Publicado: 23/6/2024 -
A Teaching Method That Creates Smarter Practicers
Publicado: 16/6/2024 -
The Subtle Habit That Might Be Undermining Your Confidence
Publicado: 9/6/2024 -
Learn More Effectively with This Lesser-Known Mindset Shift
Publicado: 2/6/2024 -
Are You the “Good” or “Bad” Kind of Procrastinator?
Publicado: 26/5/2024 -
Why Practicing for Consistency May Be Less Effective Than You’d Think
Publicado: 18/5/2024 -
Are Great Sight-Readers Born or Made?
Publicado: 12/5/2024 -
Michael Bridge: On Cultivating Expressive (vs Impressive) Virtuosity
Publicado: 5/5/2024 -
How Much of an Effect Does Hydration Have on Practice & Performance?
Publicado: 28/4/2024 -
Feel Like You’re Getting Worse? Here’s Why That May Not Just Be Your Imagination.
Publicado: 21/4/2024 -
An Unconventional Way to Enhance Your Focus in the Practice Room
Publicado: 14/4/2024 -
Frank Almond: On Work, Fun, and the Importance of Both in Dealing with Adversity
Publicado: 7/4/2024 -
How the Wrong Kind of Praise Could Increase a Student’s Feelings of Shame
Publicado: 31/3/2024 -
Can We Learn Faster by Thinking Less?
Publicado: 24/3/2024 -
To Play More Accurately, Change Your Focus?
Publicado: 17/3/2024 -
Why Good Ensemble Playing May Require More Than Just Your Ears
Publicado: 10/3/2024
Ever wonder why you can practice for hours, sound great in the practice room, and still be frustratingly hit or miss on stage? Join performance psychologist and Juilliard alumnus/faculty Noa Kageyama, and explore research-based “practice hacks” for beating anxiety, practicing more effectively, and playing up to your full abilities when it matters most.